Wednesday, August 26, 2009

Inglourious Basterds

Yo, I don’t toss around the ‘G’ word often, but Quentin Tarantino might be a genius. The dude is an awesome filmmaker. When I watch one of his movies I appreciate its undeniable coolness but also its subtle brilliance and attention to detail. Inglourious Basterds was a marvelous showcase of all the little touches that make Tarantino’s films memorable, including the intensive dialogue, unabashed female adoration, and even the inevitable hint of racism.

Set against war-torn Paris during Hitler’s reign, Basterds is the story of a young girl’s survival and ultimate vengeance. It also chronicles the exploits of a guerilla military outfit, the Basterds. Helmed by Lt. Aldo Raine (Brad Pitt), the men plow their way through Nazis like a lawnmower through grass. They hack, peel and bludgeon every Nazi they encounter, and they all pledge one hundred Nazi scalps to the Lieutenant. And yeah, these dudes literally peel the scalps off. *shudder* The parallel storyline involves a young girl named Shoshana and the amoral Nazi Colonel that executed her family. The execution is the movie’s gripping first sequence and it was amazing. I love the way Tarantino controls the pacing and the way his characters interact with one another. There is an extended scene where two characters are simply having a quiet conversation over a glass of milk. Sounds harmless right? No, and that is because an invisible air of dread wafted into the scene and settled like dust. You knew something bad was about to happen, you just didn’t know how it would play out. I was on the edge of my seat, hanging on their every word. That’s because Tarantino can turn the mundane into the mesmerizing. Shoshana’s family was executed before her eyes, and she was the sole survivor. She flees the scene of their carnage, her face a mask of terror. At this moment she and Colonel Lander AKA the “Jew Hunter” become natural adversaries, an animal and its prey. Fast forward four years later and their paths cross again.

There were so many great scenes in this movie, scenes that made my heart stop. You’re lucky if you get one of those in a movie, and Inglourious Basterds was chock full. Tarantino managed to inject humor in the oddest situations and made it work. He made a Nazi movie funny, yet Inglourious Basterds cannot be classified as a comedy. It defies categorization, so don’t even try, just sit back and enjoy it. I can’t recount the plot without getting bogged-down with the intricacy of the storyline, but suffice to say that this is a movie you don’t want to miss unless you are impossibly squeamish. It got a little gory at times, especially when one of the Basterds practices baseball with a Nazi’s head. But if you can get past that you’re in for the best movie of the summer. Brad Pitt was excellent as the merciless Raine, and you can tell he had a ball with this role. It’s like I almost expected him to break the fourth wall at any moment, turn to the camera and say, “is this fucking cool or what?” Yes Brad, yes it is.

From the word go until the closing credits, Inglourious Basterds is riveting. Suspenseful, heart-wrenching, funny, and brilliant, it is right up there with Tarantino’s best and solidifies his place in the pantheon of great American filmmakers. Get up on it.

Thursday, August 13, 2009

G.I. Joe

Ok so I heard the buzz about G.I. Joe before I watched it, and opinions seemed to be mixed. This baffles me, because I thought the movie was pretty effin’ dope. Good visuals, lots of action and special effects, and it wasn’t too corny. That’s more than I can say for Transformers 2. I could even follow the plot, which I appreciated. I hate when these types of movies take themselves too seriously with the convoluted high brow storyline. Just blow shit up.

Starring Channing Tatum (Stop-Loss) as Duke and Marlon Wayans (Dance Flick) as Ripcord, the story begins with our soldiers escorting high level weaponry to its destination. The two are not members of the Joes yet, but they are military personnel. The weapons contain agents called nanocytes, little cell-like critters that were first introduced to fight cancer. They can attack metal and level a city within several minutes. They were manufactured by M.A.R.S., a private arms company helmed by McCullen, a European magnate, the last in a long line of military spies. They are ambushed en route, severely overmatched and outnumbered. Taking heavy fire, they are unable to protect the weapons from the would-be thieves, an outfit comprised of highly- skilled soldiers. Enter the Baroness, a leather-clad dominatrix-looking chick with a mean kick. She and Duke have a past, and he refers to her by name. Her lingering loyalty gives her pause, and she spares his life. Meanwhile the G.I. Joes have arrived to intercept the thieves (COBRA). They retrieve the weapons and the stage is set for Duke and Ripcord to join the most elite, covert operation comprised of the best and brightest soldiers from each branch of the military. General Hawk commands the Joes, and is impressed with Duke and Ripcord. After surviving the rigors of training, they are officially “Joes,” and their first task is to protect the weapons and avenge their fallen comrades before COBRA can steal the weapons back. In the mix is McCullen, creator of the weapons but also in league with COBRA, unbeknownst to the Joes.

As the story moves along we are introduced to various figures from the cartoon series, and I always get a kick out of the real-life depiction of an animated character. They even threw in the corny one-liners from the show like “knowing is half the battle.” It kinda worked but I had to roll my eyes when I heard it. Anyway, I have to say that from a visual standpoint, G.I. Joe was a treat. I got that same feeling I had when I saw the first X-Men or the first Spiderman: that I was witnessing something pretty damn cool. The movie didn’t make the mistake of taking itself too seriously. Nothing based on a cartoon should ever be held up as a paragon of cinematic storytelling, but it was very good movie, and if you go into it with reasonable expectations I don’t think you’ll leave disappointed. This is the second movie based on an 80’s cartoon, and I think it was certainly as good as Transformers, and even better than the sequel. There was a delicate balance between plot and action, and everything was expertly explained, whether through flashback or exposition. Particularly compelling was the back-story between Storm Shadow and Snake Eyes. They trained side-by-side as adoptive brothers until a jealous, evil act permanently tore them apart. Oh yeah, and good guys wear black and bad guys wear white in this movie. Gotta love that. Regarding the performances, as I said there was some corny dialogue but for the most part the movie was sharp throughout. Channing Tatum is a one-note actor, but again – he’s playing a cartoon character. How seriously can I take him? The movie boasts a pretty decent cast that includes Dennis Quaid as Hawk and Sienna Miller as the Baroness. They actually allowed Miller to fill out her leather pantsuit rather than adopt the waiflike appearance she’s sported in past movies, another nice touch. I get tired of looking at someone the size of Angelina Jolie and being expected to believe that she can kick someone’s ass. Both the Baroness and Scarlett looked like real women rather than toothpicks, which I appreciated. Cool toys? Check. Ass-kickin’? Check. I can’t wait for the sequel.


This article first appeard at http://poptimal.com/2009/08/g-i-joe/ and was reprinted with permission.