When I saw the trailer for this movie a couple of months ago, I was mesmerized – kinda like the way I felt when I first saw the trailer for The Departed. Then as it comes to a close, they hit me with the title…"We Own the Night." What? Sounds like an 80's tune from a one-hit-wonder. The lame title brought my excitement down a notch, but nevertheless, the movie looked great. The cast alone was enough to entice me to the theater. Mark Wahlberg (Shooter), Joaquin Phoenix (Walk the Line), and Robert Duvall (The Godfather) star in this dark, gritty crime drama about a man who is torn between two worlds.
Joaquin Phoenix is Bobby, a nightclub manager living New York’s fast life. He has a beautiful, devoted girlfriend (Eva Mendes, Hitch) and lives a carefree existence, except as it relates to his family. His job puts him at odds with his brother and father, both of whom are deeply entrenched in law enforcement. When his brother Joseph (Mark Wahlberg) asks for his help nabbing a Russian drug dealer who frequents Bobby’s nightspot, his reluctance deepens the wedge between the two. Bobby would prefer to remain neutral, and feels no sense of duty to his family, or any desire to change his lifestyle. When Joseph raids the club and allows Bobby to be arrested, things come to a head. Soon tragic events compel Bobby to make the unlikely choice to help his father and brother. What follows next is an edge-of-your-seat journey as Bobby teeters on the line between the cops and the criminals. We Own the Night doesn’t break new ground in terms of concept or theme, but it felt refreshing and new. You could sympathize with Bobby as he unearthed a previously-buried sense of loyalty and duty. Joaquin Phoenix is a wonderful actor, and conveys the desperation, helplessness, and ultimate resolve of the character brilliantly. We watch him transition from aloof to resolute, and he gives an amazing performance.
The movie explored how the love of family is unyielding, despite any superficial differences. A superb crime drama that captivated from start to finish, We Own the Night will not disappoint. A must-see for lovers of the genre.
Saturday, October 13, 2007
Why Did I Get Married?
Let me say something about myself before I talk about the movie. I don’t try to be snobby about the movies I like. I’m no more qualified to critique a movie then the next person. However, let me pose this question…does a person have to know how to sing to appreciate a beautiful voice? Hell no. I’m no Whitney Houston or Mariah Carey, but I know lousy singing when I hear it, and I know a good voice when I hear it. Similarly, I’ve never written or directed a movie (yet), but I know good movies when I see ‘em. And I know bad ones…so keep that in mind as you read this review.
When it comes to writer/director/actor Tyler Perry, I think his motto should be “If it ain’t broke, don’t fix it.” He has a loyal fanbase, and has been a cash cow for Lions Gate the past few years. Black folks are gonna show up for Tyler Perry’s movies, period. My friends and I had to try not one, not two, but three theaters before we were able to find a show that wasn’t sold out. I’ve never seen any of Perry’s films before, and I was looking forward to taking in this movie, largely because of its appealing ensemble cast. I was hoping for an entertaining and thoughtful drama that explored the difficulties that married couples face. Why Did I Get Married? has drawn obvious comparisons to the 1980’s drama The Big Chill, which also involves a group of married friends who reunite at a vacation home, where secrets are revealed and relationships are tested. Perry admits he hasn’t seen The Big Chill. Maybe he should have. If he would’ve ripped it off he might have turned out with a better movie.
Why Did I Get Married? is pleasing to look at it, well-intentioned, and entertaining. However, the characters and the storyline were utterly predictable, and completely one-dimensional. The movie is about four couples who gather periodically for a retreat/vacation to bond, reflect, and learn about one another. This year the group agrees to meet at a cabin in the snowy mountains of Colorado. Terry (Tyler Perry) and Diane (Sharon Leal of Dreamgirls) are a doctor and lawyer, respectively. Janet Jackson (The Nutty Professor) is Patricia, an award-winning psychiatrist and author. Her husband is Gavin (Malik Yoba), a successful architect. Angela (Tasha Smith of ATL) and Marcus provide the comic relief as sharp-tongued shrew and hen-pecked hubby. Rounding out the cast are Mike (Richard T. Jones of The Wood and Kiss The Girls) and Sheila, played by the lovely Jill Scott. The couples suffer from varying degrees of dysfunction, from the obvious to the hidden. Mike is a grade-A asshole, berating Sheila at every turn. It’s unbelievable that the two were ever married in the first place. And that’s the problem. Terry’s characters are unnecessarily overdrawn and completely over-the-top. It’s like he dumbed it down. I wanted to say, we get it, Mike’s a jerk! His character was almost a caricature, and it detracted from the movie by adding a degree of absurdity. Speaking of detractions, there were SEVERAL times during the movie where a microphone could be seen in the shot. Apparently this only happened in my particular showing (go figure), but it was a major drawback. It was hard to take the movie seriously when in the middle of a dramatic scene the damn mic is hanging down. Back to the performances. Everyone did a good job, with what they were given. There were several funny moments, but some of the scenes were a lesson in overkill. It’s like Perry used a sledgehammer to nail in a thumbtack. But hey, like I said; if it ain’t broke don’t fix it. If you want to see an attractive cast in a funny and occasionally entertaining movie, check it out. If you’re looking for a provocative movie that will play out better than an episode of The Young and The Restless, maybe you should take a pass. Why Did I Get Married? might have you asking Why Did I See This Movie?
When it comes to writer/director/actor Tyler Perry, I think his motto should be “If it ain’t broke, don’t fix it.” He has a loyal fanbase, and has been a cash cow for Lions Gate the past few years. Black folks are gonna show up for Tyler Perry’s movies, period. My friends and I had to try not one, not two, but three theaters before we were able to find a show that wasn’t sold out. I’ve never seen any of Perry’s films before, and I was looking forward to taking in this movie, largely because of its appealing ensemble cast. I was hoping for an entertaining and thoughtful drama that explored the difficulties that married couples face. Why Did I Get Married? has drawn obvious comparisons to the 1980’s drama The Big Chill, which also involves a group of married friends who reunite at a vacation home, where secrets are revealed and relationships are tested. Perry admits he hasn’t seen The Big Chill. Maybe he should have. If he would’ve ripped it off he might have turned out with a better movie.
Why Did I Get Married? is pleasing to look at it, well-intentioned, and entertaining. However, the characters and the storyline were utterly predictable, and completely one-dimensional. The movie is about four couples who gather periodically for a retreat/vacation to bond, reflect, and learn about one another. This year the group agrees to meet at a cabin in the snowy mountains of Colorado. Terry (Tyler Perry) and Diane (Sharon Leal of Dreamgirls) are a doctor and lawyer, respectively. Janet Jackson (The Nutty Professor) is Patricia, an award-winning psychiatrist and author. Her husband is Gavin (Malik Yoba), a successful architect. Angela (Tasha Smith of ATL) and Marcus provide the comic relief as sharp-tongued shrew and hen-pecked hubby. Rounding out the cast are Mike (Richard T. Jones of The Wood and Kiss The Girls) and Sheila, played by the lovely Jill Scott. The couples suffer from varying degrees of dysfunction, from the obvious to the hidden. Mike is a grade-A asshole, berating Sheila at every turn. It’s unbelievable that the two were ever married in the first place. And that’s the problem. Terry’s characters are unnecessarily overdrawn and completely over-the-top. It’s like he dumbed it down. I wanted to say, we get it, Mike’s a jerk! His character was almost a caricature, and it detracted from the movie by adding a degree of absurdity. Speaking of detractions, there were SEVERAL times during the movie where a microphone could be seen in the shot. Apparently this only happened in my particular showing (go figure), but it was a major drawback. It was hard to take the movie seriously when in the middle of a dramatic scene the damn mic is hanging down. Back to the performances. Everyone did a good job, with what they were given. There were several funny moments, but some of the scenes were a lesson in overkill. It’s like Perry used a sledgehammer to nail in a thumbtack. But hey, like I said; if it ain’t broke don’t fix it. If you want to see an attractive cast in a funny and occasionally entertaining movie, check it out. If you’re looking for a provocative movie that will play out better than an episode of The Young and The Restless, maybe you should take a pass. Why Did I Get Married? might have you asking Why Did I See This Movie?
Monday, October 01, 2007
The Kingdom
After seeing the trailer for months, finally I get a chance to enter The Kingdom. Directed by actor Peter Berg (Cop Land), the film paints itself as a whodunit within the kingdom of Saudi Arabia.
When terrorists attack a U.S. compound that houses oil company employees, the FBI covertly sends in agents to investigate. Enter Jamie Foxx (Collateral, Miami Vice) as Agent Ronald Fleury, a man determined to piece together clues on borrowed time. He and his agents must investigate while being kept at bay by the Saudi government, who has its own desired protocol for such matters. Rounding out the unit and the rest of the cast are Jason Bateman (Smokin’ Aces), Jennifer Garner (Elektra), and Chris Cooper (Breach). One thing about these political drama/action movies is that they tend to be nebulous in their storytelling. Not so with The Kingdom, and I appreciated it. The storyline was pretty easy to follow, which was a good thing, most of the time. The only problem with the simplicity of the plot was that it made the investigation almost a little too easy at times. Certain parts of the movie played out like CSI: Saudi Arabia. The unit has mere days to wrap up its investigation and find the culprits responsible for the attack, and it’s a joke that Fleury and company make such significant progress in such a short amount of time, especially after being initially stonewalled by the government. Clues and evidence are miraculously easily to find, and I know this is a movie, but I’m just sayin…in real life we can’t find Bin Laden, and we’re supposed to believe that the nefarious mastermind behind a major terrorist plot can be located in less than a week? LMAO!
Don’t get me wrong, the film was very very good, it just wasn’t perfect – and that’s okay. The Kingdom was fast-paced, interesting, and ends on a very though-provoking note that hopefully will have viewers wondering just how different we Americans are from the so-called terrorists. I urge you to enter The Kingdom.
When terrorists attack a U.S. compound that houses oil company employees, the FBI covertly sends in agents to investigate. Enter Jamie Foxx (Collateral, Miami Vice) as Agent Ronald Fleury, a man determined to piece together clues on borrowed time. He and his agents must investigate while being kept at bay by the Saudi government, who has its own desired protocol for such matters. Rounding out the unit and the rest of the cast are Jason Bateman (Smokin’ Aces), Jennifer Garner (Elektra), and Chris Cooper (Breach). One thing about these political drama/action movies is that they tend to be nebulous in their storytelling. Not so with The Kingdom, and I appreciated it. The storyline was pretty easy to follow, which was a good thing, most of the time. The only problem with the simplicity of the plot was that it made the investigation almost a little too easy at times. Certain parts of the movie played out like CSI: Saudi Arabia. The unit has mere days to wrap up its investigation and find the culprits responsible for the attack, and it’s a joke that Fleury and company make such significant progress in such a short amount of time, especially after being initially stonewalled by the government. Clues and evidence are miraculously easily to find, and I know this is a movie, but I’m just sayin…in real life we can’t find Bin Laden, and we’re supposed to believe that the nefarious mastermind behind a major terrorist plot can be located in less than a week? LMAO!
Don’t get me wrong, the film was very very good, it just wasn’t perfect – and that’s okay. The Kingdom was fast-paced, interesting, and ends on a very though-provoking note that hopefully will have viewers wondering just how different we Americans are from the so-called terrorists. I urge you to enter The Kingdom.
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