The Sentinel

Michael Douglas (The Game, A Perfect Murder) returns to the silver screen alongside Kiefer Sutherland (most recently of 24), Kim Basinger (L.A. Confidential), and Eva Longoria (Desperate Housewives) in her big screen debut. This political thriller is set in D.C., offering a glimpse inside the elite world of the Secret Service.

Douglas is Pete Garrison, a seasoned agent assigned to protect the First Family. Kiefer Sutherland plays David Breckenridge, a former protege of Garrison, and Longoria is the rookie who was trained by Garrison and now works under Breckenridge. There is an inside plot to assassinate the President and Garrison is being framed. He must save the Prez, find the mole, and clear his name while eluding the Agency. One part cat and mouse, one part political intrigue, The Sentinel, is entertaining and suspenseful. The early part of the movie offers an interesting look at the intricacies of protecting the President on a daily basis. The President and First Lady (Basinger) have their every move shadowed and their schedules are meticulously planned. The agents seem to possess the unyielding loyalty required to sacrifice their lives without a moment's hesitation, and it's kinda cool to get a behind the scenes look at the whole thing, although I'm not sure the depiction is totally accurate.

Without revealing too much, I'll say that this is vintage Michael Douglas. The man has a knack for playing the guy who always gets in trouble behind a woman. See Disclosure, Fatal Attraction, and Basic Instinct for evidence of him letting his johnson get him in hot water.

The one crticism I have of The Sentinel is that the identity of the mole is not quite as mysterious as it could have been. There have been some outstanding political thrillers set in D.C. over the years like the classic No Way Out (Kevin Costner, Gene Hackman) and Suspect (Dennis Quaid, Cher). The Sentinel is not on the same level as these two, but it's a pretty solid movie and worth a look.

Lucky Number Slevin

Hell yeah. This is my kinda movie. Slick, cool, and complicated with a twist. Fast-paced and violent, Lucky Number Slevin features clever dialogue (sans one offensive religious reference) and a charismatic ensemble cast. The rundown: Josh Hartnett (Hollywood Homicide, O) is our wrong place, wrong time title character Slevin. This guy is anything BUT lucky. Bruce Willis (Sin City) is an emotionless assassin. Morgan Freeman (Million Dollar Baby) is "The Boss." Ben Kingsley (Sexy Beast) is "the Rabbi." Lucy Liu (Domino) is sweet on Slevin. Let me set it up real quick for ya. Slevin is going through a shitty little phase of his life, so he goes to visit his buddy Nick for some R&R. When he arrives at Nick's place he discovers he's not there. The next thing he knows two goons show up to collect on a debt that Nick owes. They think that Slevin is Nick (since he's in Nick's apartment) and cannot be convinced otherwise. Slevin would show them some ID if he had it, but he was mugged shortly after arriving in the city and doesn't have his wallet. Didn't I tell you this guy was unlucky? Slevin finds himself up shit's creek with a boat and no paddle after The Boss proposes a most unappealing way to settle the debt that Nick owes. Confused? Good. It may seem like I've told you too much about the movie, but trust: I did not spoil it for you. This movie twists and turns like you wouldn't believe.

Lucky Number Slevin has the coolness of a Tarantino flick mixed with the pacing of a Guy Ritchie (Snatch) film. I was about a half-step behind the entire time, but I figured out most of the twists right before they happened. The commercials depict Slevin as slick and funny, and it is-- but it is also darkly violent. The transition of Hartnett's character is something to behold. I imagine that the critics may not like how the movie switches gears, but I thought it was great. One minute I think it's clever and funny, the next minute they go and get all Usual Suspects on me. Shit was ill, check it out.

V for Vendetta

Brilliant. This was a fantastic movie. I was somewhat reluctant to see it…it looked a little Zorro-ish or whatever, but boy was I wrong. Vendetta stars Natalie Portman (Golden State, Closer) and Hugo Weaving (The Matrix) as the masked vigilante/freedom-fighter "V." It was written by The Wachowski Brothers, the ingenious duo responsible for The Matrix trilogy.

V for Vendetta weaves a complicated Orwellian tale, borrowing intermittently from the overall themes and concepts of 1984. Set in the near future in England, the movie paints a frightening picture of a country controlled by a fascist chancellor. Art and music are not permitted. Citizens are monitored and speech is controlled. The government was empowered after a series of deadly plagues killed thousands of citizens and the powers-that-be produced a cure, at a cost. The cost is freedom. It is against this bleak backdrop that our hero V emerges, determined to awaken the people from their slumber. Natalie Portman stars as Evey, a young woman with a revolutionary spirit who is inadvertently sucked into V's world. Portman is a truly wonderful actress, and is nothing short of excellent, as usual. Weaving is similarly great, which is no small feat considering we never see his face.

Vendetta is not the first film to address conspiracy theories and police states, and I imagine that it won't be the last. What makes Vendetta provocative is the realism that is conveyed, thanks to an intricate script and stunning visual effects. It examines unbridled thirst for power, apathy, courage, and the driving forces behind human nature and complacency. A "thinking man's" popcorn flick, Vendetta is not for everyone; however, if you have an open mind I think you'll enjoy.

ATL

I need to release my inner teenager, the one that urges me go see movies like ATL and You Got Served. I entered the theater feeling slightly embarrassed that I was probably one of the oldest people there, at the ripe age of 26. Oh well, at least I didn't go alone, I drug two other old souls with me.

Loosely based on the adolescent experiences of music producer Dallas Austin, ATL tells the story of four high school friends and the ups and downs they endure as they prepare to enter adulthood. Rapper T.I. stars as Rashad, leader of the pack and level-headed mentor to a cute knucklehead little brother Anton, played by Diana Ross' youngest son, Evan Ross Naess. "Brooklyn" can't keep a job, "Esquire" is the college-bound member of the crew, and Teddy (Jason Weaver of Drumline) is a perpetual senior whose true age is a mystery. Rounding out the cast is Mykelti Williamson (Forrest Gump, Waiting to Exhale) as Rashad and Anton's uncle and caregiver, "New New," the sassy object of Rashad's affection, and Big Boi (one half of Outkast) as Marcus, flossy drug dealer. The city of Atlanta is practically a character as well, because first time director Chris Robinson captures its culture and residents so vividly.

ATL is a difficult movie to critique...I think it should be credited for a somewhat positive depiction of black life, despite the fact that Anton's character is tempted by the criminal lifestyle. The negative aspects of the movie are tempered by Rashad's integrity and sense of responsibility to his brother, and also by the light-heartedness we see in the boys' interaction with each other. At times the movie treads on clichéd ground with familiar themes of remaining true to oneself and the conflict between Rashad and New New, but I enjoyed it despite these shortcomings.

Every rapper thinks he can act nowadays, but T.I. and Big Boi are decent enough. T.I. actually brings a certain endearing sincerity to his role. However, there is room enough for only one toothpick in my life, and Pharrell already has that spot, sorry T.I. Pardon me for getting off track for a second, but T.I. is so skinny this dude actually manages to make a wife beater look baggy. It looked like a friggin' basketball jersey on him!

I'll try to help you make up your mind about going to see this one. Did you see Roll Bounce? What about You Got Served? If so, chances are you'll like ATL. If the thought of either of these movies made you throw up in your mouth a little, then maybe you should take a pass. ATL has more substance than Roll Bounce if you can get past the surface comparisons, but that's hard to do if you aren't inclined to see it in the first place. Give it a shot.